5 Seconds of Summer Releases New Album “CALM”: Streaming
- Australian pop rock band 5 Seconds of Summer released their fourth studio album “CALM” on March 27th.
The album title means first letter of a word of members name, Calum Hood, Ashton Irwin, Luke Hemmings, and Michael Clifford.
The album features '70s rock and ’80s synth-pop sound. Front man Luke Hemmings told Apple music, “It’s a coming-of-age album. We found our stride and just ran with it. Everyone makes mistakes in their twenties, and this [record] captures that in a pretty honest way for better or worse.”
Produced by Louis Bell, Charlie Puth, Nathan Perez and Andrew Watt.
He explained each song on the album below.
“We did this cover of ‘Killer Queen’ by Queen before we wrote this song. We'd sing a harmony all together and do it eight times, then the next harmony all together in the booth eight times, building these huge gang vocals like they would. I think that opened our eyes to what we could do vocally as a group. We wanted to show that we all sing, but we can do it in a way that's different from when we were younger—more of an Eagles, Crosby Stills Nash way, those big rock harmonies.”
“I think we made it clear that although it is kind of a snapshot of how we see society and how a lot of people can see it, that we're all a part of it and we're not pointing a finger at people. Everything is online.”
“That song, lyrically, it’s about owning mistakes and moving forward with your life and understanding that you're not the person that you were when you were younger, but also you have to do these things and make mistakes to move forward and grow as a person.”
“We [wrote] with Andrew Watt, Ali Tamposi, Ryan Tedder, and Charlie Puth. This song was one of the earlier ones, [written] before we started the album. We were figuring out what we wanted to do. We were very into the New Wave stuff, that Nine Inch Nails stuff. This was the first stepping stone.”
“I love that song. It has that driving kick and that bass; we tried to make a song without having a snare. It has a few in it, but it's mainly kick and it's my breath doing all of the other beats. Tom Morello plays the guitar solo at the end. He’s almost imitating a snare with his guitar.”
“This is the lighter side of the album. It’s a step forward for us in that it's not so dark—we can do this big stadium vocal but also have it be a big, positive, euphoric anthem and not be lame.”
“The first demo was just one guitar and my vocal. Me and Ryan [Tedder] wrote a bulk with the vocals on our own, and then we had The Edge from U2 play the guitar on the bridge. That was awesome. The song is a beautiful love note—something I felt I needed to get off my chest. That’s the best way songwriting can be: cathartic.”
“Not in the Same Way”
“This song came together in 30 minutes, except for the bridge. It was one of the most exciting in the room to write; it was almost like we couldn’t keep up with how quickly it was going. It’s a chaotic love story of the early days in a relationship and trying to figure out your counterpart.”
“Lover of Mine”
“I was trying to go for a Jeff Buckley vibe on this. I actually wrote this with my girlfriend [Sierra Deaton] and then I took it into the studio. We finished it there with everyone else.”
“Thin White Lies”
“I love the groove in the chorus. We were going for a Cure thing on the guitar in the verses. My favorite lyric in it is ‘I don’t think I like me anymore.’ It’s so honest, when you get to a point that you feel like a stranger to yourself—I like how this song captures that moment.”
“The song's really beautiful. I like the dancing metaphor in some of the verses. It kind of sounds like Depeche Mode in the chorus, which I like. It’s all pretty New Wave.”
“Songwriting in itself is very selfish, and this song in particular, the lyric [‘I hope you think of me high/I hope you think of me highly’] is very clever and very self-involved. I love the honesty. That's why I wanted to close the album with it. I had these chords in my head; I really wanted a Beatles-esque song with quirky chords. I like how narcissistic it is, but in such a sweet and unassuming way.”
- source : Apple Music